5 Things to Know about Martin Scorsese's Hugo

Martin Scorsese's Hugo, in theaters November 23, is not just about a boy who must unravel a secret left to him by his father, but an ode to the very first filmmaker to use narrative and special effects: Georges M?li?s. It's also Scorsese's first stereoscopic film. At a press conference, the stars, writer and producer of Hugo talked filming in 3D, the amazing sets, and the research Scorsese asked them to do to prepare for their roles. Spoilers below! By Erin McCarthy

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Scorsese Has Always Wanted to Do a 3D Film

Martin Scorsese saw his first stereoscopic film in 1953?Andre de Toth's House of Wax. One year later, he saw Hitchcock's Dial M For Murder; the 3D in that film, which enhanced the narrative, left a lasting impression on the filmmaker. So it was natural that Scorsese would use 3D to that effect in Hugo: In one scene, where Sacha Baron Cohen's Station Inspector is interrogating Hugo (Asa Butterfield), a wide interocular setting makes him seem more menacing and intimidating; likewise, 3D is used to create a feeling of vertigo during a chase sequence up a staircase in the walls of the station. "There's something about Scorsese using the latest 3D technology to push the boundaries of filmmaking in 2011 to make a film about the very first technology ever used to put magic on the screen over a hundred years ago," Emily Mortimer, who played flower shop owner Lisette, said. Baron Cohen agreed. "It felt like it was the logical extension of filmmaking?that if M?li?s was alive, he would have definitely been using 3D," he said. "That was the interesting thing?the whole debate in cinema about whether 3D is a gimmick or not. Scorsese really showed that it was a logical development of the filmmaking process, and that was fascinating. 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